Ghetto Funk have just dropped the second volume of their seminal ‘Icons Remixed’ series!
I think I’m so excited a little bit of wee came out.
Joy! I found new summery stylings from the Dirty Dubsters Digital boys nestling in my inbox this morning, like some tropical hummingbird here to chase the grey murkiness of November away for, well, at least for as long as their new Latin Swing Allstars EP plays out anyway.
Those nice gents from Cast-a-Blast have blessed my inbox with yet more promo loveliness, this time from DJ Tzinas which I felt compelled to share with you this morning – raging hangover, or no raging hangover.
Best get the coffee on and hope inspiration strikes ‘eh?
Back in the dark days of the early Seventies, spurred on by the like of Enoch Powells “Rivers of Blood” speech, the National Front and associated far Right groups were on the rise, and were generally making life miserable for any immigrants in the vicinity.
Rock Against Racism, founded in 1976, was punk music’s attempt to raise awareness of the issue, and to counter the brainwashing of young people by, well, a bunch of jack booted thugs. They organised series of huge marches and multi-cultural gigs, supported by the luminaries of the day, such as The Clash, Buzzcocks, Steel Pulse, X-Ray Spex, Stiff Little Fingers, Aswad and Elvis Costello, to persuade people to turn their back on the fascists and embrace the melting pot of modern Britain.
In 2002, driven by the rise in activity of the National Front and BNP, the Anti-Nazi League and Unite Against Fascism relaunched the concept, this time called “Love Music, Hate Racism“, and carrying forward the founders of Rock Against Racism ideas, in that modern music is influenced by many cultures and traditions, and that it can be used to bring different kinds of people together. The modern run of gigs have been supported by Ms Dynamite, Hard -Fi, Akala, Get Cape Wear Cape Fly, Estelle, Lethal Bizzle, Roll Deep Crew and Basement Jaxx amongst a horde of others.
I don’t know what’s going on at the moment, but there’s a serious pile of seriously good releases piling up in my inbox, that I feel the urge to share with you crazy kids.
Today it’s the latest offering from the guys at Cast-a-Blast records dropping their latest chunk of reggae-hop stylings from Dedy Dread & DJ Rebel.
Criss & Shine is a mutant reggae hop swing beat stepper with a lovely bounce and vocals from the self styled “Indian Ragamuffin” Delhi Sultanate representing.
The Blend Mishkin remix drops his trademarked wobble into mix, making the original a more electroesque affair, nudging it closer to a dancehall style, and making it a surefire winner for your ‘warming the crowd’ crate. I can just imagine the winding booties every time I hear this one.
Turntable Dubbers adds an almost Iberian tinge to the track with a Spanish-esque guitar chords to the fore, before a Bollywood string line hits you … clever stuff.
This one drops on the 19th Sept ’11 and is well worth a few of your hard earned shekels.
I’ve dropped a couple of tunes from the Mash and Munkee boys before on the Ctrl:Alt:TheBeat show, so I was pleasantly surprised when this latest slab of funked up goodness dropped into my inbox.
Read on for the verdict!
Yet more summery vibes on wax for you with Weekend Sun‘s Figo, the latest drop from those crazy cats over at Hero Records. So far listening to it im exactly what the band name suggests. (which is surprising in a way considering both hail from the North East of England, and I thought it just rained up there) and hopefully it’ll do the same for you …
Just in time for the Notting Hill Carnival, one of this blog’s favourite artists hits us with the Bomber Inna Dance E.P., stuffed to the brim with party bangers to rock your speakers.
Yet more niceness in my inbox courtesy of the Cast-a Blast crew, and in the week before St Pauls Carnival in Bristol – it’s almost like they knew I was after some new reggae based beats to air …
Just discovered this little gem from Hidden Riddim nestling in my inbox from those nice gents over at Cast-A-Blast and as I’m in a good mood, I thought I’d share the love.
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